Life is short. This is something that seems self-evident, but in some ways we live as if it will go on forever. My life, like all of our lives, has been so many different things at different times. One of the truest things I could say throughout it all is that it has been a sort of search. And at many times, it's been a struggle.
This page of my web site will feature an assortment of ideas, videos, interviews, and all sort of other materials, from the silly and plainly promotional to the more sublime and spiritual, that I have found helpful musically and in life. I'll even post some of my writing process and early song iterations for anyone who might be interested.
Some of it is that good gritty material for finding the right path. May we all find it.
Once in a while a song hits me -- the craft, the performance, the production.
This is one of them. William Bell was a Stax artist many years ago, and they were the ones to release his comeback album. Produced by John Leventhal, this is to me a perfect gem.
If you love singers like I do, you have been struck with that sadness when you see in some performance, live or recorded, that they have lost their skills, or they have greatly diminished with age. Men typically hold on a little longer than women, with some notable exceptions. Tony Bennett seems to still have some semblance of his incredible voice even at 92.
It was Willie Nelson's 86th birthday last week and I went for my favourite birthday tribute to him, by Leon Russell and Ray Charles, who performed Song for You to him on his 70th birthday. Ray was 73 for this performance and he totally knocks it out of the park. Check it out!
Another singer who kept her chops to the end was the amazing Sarah Vaughan. She was the envy of her generation in terms of skill and tone. Sinatra famously said listening to her made him want to quit. This performance, from an album called Crazy and Mixed Up she made when she was 58. He chops were otherwordly even then Check this version of Autumn Leaves, complete with the great Joe Pass on guitar.
RIP Hal Blaine
The death of legendary drummer Hal Blaine who basically played on half of the soundtrack of the 50s to the 70s sent me back through his works. He was known to be a player who gave each song what it needed, very musical and very creative. I'm sure producer Roy Halee and S&G had some input into his magical parts in this tune, but I wonder. It helps that this was one of Paul Simon's true dances with genius as a songwriter, but the percussion on it is so good. Amazing detail about this moving lyric: it never rhymes. The strength of the images, from small to universal, and this killer (Gershwinesque?) melody carry it all so elegantly that you don't really even notice. Take 3:37 for this tune, and check out Blaine's work.
Nils Lofgren's story is almost hard to believe, and the early days of his association with Neil Young in the early 1970s is one of the most incredible parts of it. Here he talks about his work with Neil, good times and tough times. I have a huge amount of respect for Lofgren and his professionalism and musicality.